
After a break, even a short one, I face my sketch book with a feeling of panic. But after a days intensive drawing and 3 days plate making and printing these 4 chicken collagraphs


and spent the morning making desert islands complete with palm trees and parasols.
My offering was Picasso inspired and Toby my youngest son who will be doing 'A' level art next
After a summer break it is a relief to get back to some work. Over the summer I have been working on flamingo images and this week I have completed these new collagraphs.
I use grey board as a base, then apply wood glue for the whites and Carborundum for the deep colours and areas of black.
My sketch book became inspired by the things I saw. These dear little lizards shared the house.
I find seaside pebbles irresistable, the Bude coast line is edged with these gorgeous stones before the sand appears when the tide goes out.
The rocks on the edge of the beaches are covered in the deepest blue clusters of mussels
and although the orange fishing net is really rubbish it looks fabulous against the blue.
I knew I would have sometime left to my own devises so I cut up a larger sketch book to make this square format, 11 x 11cms and at the end of the week decorated the front with beach finds.
We had a very energetic time making collagraph prints with card, wall paper and wood glue the first day. The students then worked into their prints by monoprinting inked card and wallpaper
over both wet and dry prints. Lovely work was produced, but I think we all wilted in the heat by the second day!
I have just about found time to bind together the colour samples I made during the Open Studio event at Hampen Factory at the beginning of June. If I don't organise them I will just put them away and forget all the good ideas they have sparked. I am not an accurate or talented book binder, but I do love this form. I have used the printing plate for the cover of one booklet, but my favourite samples I have covered in acetate.
I intend to hang the booklets up in my studio by the bulldog clips so that they are a very visible reminder that I can do colour...!!!
The Open Studio event gave me time to do some sketch book pages but I finished this off today.
I have also been able to experiment with colour a little more on slightly larger plates, this is Burnt Umber in the intaglio with a Raw Sienna and a Turquoise Lake roll.