It is still all a bit hit and miss, but I am enjoying the challenge.
I particularly like the effect of this stamped and sifted red.
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- Sue Brown
- Sue studied etching to degree level in the late 70s at Bristol. In 1996 she added collagraphs to her portfolio of work after discovering this printmaking technique being taught at the Steiner School in Gloucester. Sue extended her practice further in 2000 by working with ‘non toxic’ etching developed by Keith Howard and Friedhard Kiekeban. Sue is currently in the middle of studying for an MA in Multi Disciplinery Printmaking at the University of the West of England where she is completely absorbed by enameling.
6 comments:
The top one "does" it for me.....
these are wonderful. i just read a friend's poem about moths. it could go with these somehow. be well, suki
I am always bewitched by your moths Sue - it is wonderful how you create the feels of the powdery wings in rigid metal - beautiful.
These are not so much 'experiments' as beautifully crafted little works of art. I love them all but agree with Cathy that the top one stands out. This strand of your work just keeps going from strength to strength. x
These moths are just beautiful, what a clever idea.
i love that last piece so much!
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