Saturday, 21 March 2020

A CREATIVE SUNDAY PROMPT. I.

What can I do with myself when I am feeling anxious and not the least bit creative? This is a question I am asking myself a great deal at the moment. So strangely this is one of the things I like to do when I am not feeling creative, design creative prompts for others to have a go at.

So Sunday Prompts will pop up each Sunday until we no longer need them or I run out of steam. Hoping the former rather than the later. 
It will be a series of processes that you can dip into during the week as creatively or practically as you like. There will be things for a variety of adult abilities. The Prompts will progress from week to week, either connecting each process to make an on going project, or starting new items each week, however you want to make use of them. 
These processes can be done on paper or fabric, its up to you. 
We all like to work differently, it is not a test!!

I would love to see what you make of this, so please post on Instagram and #theyardartspace or @sb.brown21 so I will get to see what you are up to. Or leave a comment on this page.

So onto the first Prompt, no drawing or special skills required.
  Eco Printing. 
I want you to start by going for a country walk or getting out into the garden. Collect a few leaves, for the best results collect, rose, bramble, oak, cranes bill geranium. Do you have an Acer or Japanese Maple coming into leaf? You don't need many, we are not ravaging the country side or stripping bare the garden. Onion skins are good too.
Once you have a collection of vegetation, you will also need the following. 
Rusty metal items, fairly flat ones, old washers, tacks, steel wool  are really good (use gloves when handling all this stuff)
Natural fabrics, cotton, silk, perhaps an old cotton sheet or shirt, it does not work on man made fabrics.
Paper, thick cartridge, water colour or pages from a sketchbook. If you only have thin cheaper paper just handle it with more care when its wet.
The size of these substrates should be the same as the tile or tube, folding is allowed.
Couple of ceramic tiles or wooden doweling or old rolling pin. I use plastic drain pipe too.
Strong rubber bands or sturdy thread or string.
Lay out your natural and man made finds on the paper 
and the fabric
Make a flat pile with sandwiched layers of finds so that the whole thing will be flat when pushed down. This can be separate squares of paper/fabric or a stripe folded with materials between each layer.The important factor is the contact of each item to the paper or fabric.
Now make a tile pack and clamp it firmly by wrapping tightly with string or elastic bands.
Or if you are making a roll, bind your paper or fabric tightly around a cylindrical thing or 
snuggly around itself to make a tight bundle.
Pop your package into a pan (do not cook in this pan again) it must fit and be submerged, slug a splosh of white vinegar in...although I often forget to. Boil for an hour. Keep it topped up, you really don't want to let it boil dry and have a timer on, you do not want to forget you have put it on either.
Trust me the smell is terrible if that happens!!
After an hour turn off and drain. Use gloves and be aware that the water will stain things. 
Allow the package to go cold (never managed to do that to date) before unwrapping.
This is what I achieved... the above examples on fabric and Khadi paper
Fabric
Fabric
Fabric
Paper, you can really see the onion skins.

Over to you, if you have a piece that is less than successful re bundle with leaves and boil again. Remember not to over load your bundles, you need space around leaves to see the edges print. It is all about contact, if your materials can't touch the substrate you won't get clear prints. 
If you get leaves floating at the top of the pan, you have done something a bit differently to the above instructions.

Its the walk in the fresh air that is the key to this activity.
I now have a week to work out what we could do with these delicious papers and fabrics...
watch this space.

Look up the following artists for more information about Eco Printing,

 GOOD LUCK

Wednesday, 15 January 2020

2020 NEW YEAR, NEW COLLAGRAPHS

It has been traditional for me to leave partly finished work on my studio bench just before the festive mayhem sets in. This helps me start again after Christmas. We often have to deal with post festive blues in the dark days of January and February. After all the jolliness it can often be difficult to get back into the swing of things. 
So I blocked out some diary dates mid December and made some Corvid drawings. Here is a raven found in the middle of Tenby while on holiday.
This is Bran, a tame crow I met earlier in the Autumn at Bobby Britnell's. I have been itching to do homage to this gorgeous creature.
This leaves me with a series of drawings that I can make collagraph plates from when the glitter has settled.
Using grey board, plaster, wood glue and carborundum, between Christmas and New Year I set about making
these two plates.
I press feathers into polyfilla areas,
cutting into the card and applying layers of carborundum to give velvety blacks.
The contrast with wood glue and the bare surface of the card creates tonal differences. Then everything is shellaced.
Then after the New Year celebrations are over, off to the yard:ARTspace to print, print, print.
I am pleased with Helpful Bran and have experimented with mono printing the red thread tangling off the reel.
Dig Deep is a homage to the lovely Mr B who is taking up an allotment this year
So instead of falling down the post Christmas hole, trying to get myself going on something new, what I have set myself up with is work to finish off. There are now new crow images I am itching to draw and get on with and other projects bubbling up in the background. The more I make the more I want to make...!!
So watch this space.

Saturday, 16 November 2019

NEW WORK, EXCITING TIMES

I have spent the past few months experimenting and expanding my use of Gum Arabic transfer printing beyond my sketchbook.
I have documented these moth experiments from my sketchbooks and have been determined to combine
my eco printing with my figurative work on paper.
So here is my first larger experiment. Putting together my sewing, printmaking and eco printing activities.
Inspired by museum collections of entomological exhibits, I have created this 'Moth Eaten Shirt' 
Adding shishsa elements using watch glass in
place of mirrors.
Ghostly moths appear on the shirt made of silk organza and attached with entomological pins.
Eco printed, gum arabic transfer print and acrylic paint on vintage fabric has all been added to this deconstructed shirt.

See this piece of experimental work in the Artists in Action Area at the Knit and Stitch Show Harrogate. I will be there Saturday 30 November and Sunday 1 December recreating my studio and making more pieces using a variety of mixed media processes. 
Come and say hello.

Wednesday, 21 August 2019

WORK IN PROGRESS...the sequel

For those of you who follow me on Instagram  you will be aware that at the beginning of August I ran a 3 day Sketch Book Master Class at the yard:ARTspace
As part of the workshop I develop a demonstration sketch book along side everyone. I completed 6 pages of the 20 pages in the book. Excited by the workshop I then announced to the world (well those following me on Facebook and Instagram) that I would complete the book doing a page a day.
Each day I spent no more that an hour. 
working on this document.
Keeping it small helps and adding eco dyed pages that speak for themselves takes the pressure off.
An hour a day means that the images begin to have their own confidence. A time limit means that less is more is a built in factor.
So where do I go now that I have formed this habit?
Into my A2 sketch book and work at a bigger scale. Here you can see the comparison.
How do I start a mixed media page? Especially a big one?
I randomly cover the page with gum arabic transfer prints, then Quink, then ink.
That will be the closest I get to abstract...as I will then start to draw my theme with white acrylic paint.
It is now difficult to explain how I work into this, but adding, covering and adding again using
paint, stencils and collage
until the image is doing what I want...
another difficult concept to explain.
Now where? Onto fabric I think...???