Friday, 31 August 2018


Summer time, well July & August is an important rest time for me...usually. This year my summer has been full of teaching and experimenting. Both of which I love. 
The experimentation has been all about mark making on fabric, learning new techniques and finding out about new materials.
It all started in June when I started to explore
eco printing, yes it may be about textiles, but printmaking gets in there somewhere.
I have been thrilled with the results, particularly on silk and have started to incorporate it into my work. More of that later in the post. Not satisfied with that I took myself off to an Art Van Go workshop at the Textile Bazaar in Much Marcle.
Entitled 'How Can I Resist' it was all about resistant marks on fabric.
Whoops, look at all that colour, but such a reminder of all the materials that make a delicious resistant mark when washed with inks and fabric dyes.
I got these samples home and stitched,
spending an excelent day with textile artist Catherine Kingzett, who egged me on.
As with most things for me over printing is key and
all my mixed media samples under went a layer of gum arabic transfer printing.
Even the stitched piece, the gum arabic transfer covers all textures beautifully.
What next in this summer of textile experimental frenzy? The Festival of Quilts of course held at the NEC.
It was an opportunity to do some research into art textile practitioners, such as Nancy Crow
And see the diverse world of quilts,
competition pieces using traditional and digital techniques. 
Art pieces breaking all the rules.
Exquisite technique by the Japanese artist, Kuroha Shizuko. So now into August and I have a great deal to think about as far as textile techniques and resulting works are concerned. Lets face it paper is just another form of fibre substrate and the printmaking techniques onto fabric are similar to that on paper. To compound this theory I took myself off to Knebworth, to the headquarters of Art Van Go and participated in a monoprint onto fabric workshop. 
Look more colour, it is all very liberating being told what to do.
Monoprint is super spontaneous and allows fast build ups 
of marks and over lays of colour. In 2 days it is possible to make a number
of rich samples.
The revelation for me is the transfer monoprint line drawing, I know that is possible with paper and oil based ink, but I was thrilled to do it onto fabric with acrylic paint.
Folding the piece into a pamphlet book, embellishing with puff binder and stitch finished off this sample. I am very happy with the result. Thank you Maria Boyle for introducing new materials to me.
The biggest problem with being at Art Van Go is that it is exit through the gift shop!! I had a very enjoyable morning buying lots of things to experiment with as they have it all there in one place!
So I came home with all the things I needed to experiment with breakdown screen printing...and then some. A day mixing Procion dyes. What I hear some of you say, I would never go down the dye route. But never say never. A day waiting for the breakdown screen to dry.
Then a morning of experimental screen printing.
This organic mark making was enabled by the excellent instruction booklet
produced by the textile group Committed to Cloth
Samples washed and drying, I now can't wait to experiment further. 
Back to the research part of this summer. This meant a trip to MAC, Birmingham to visit the exhibition Ctrl/Shift a project by the 62 Group of Textile Artists. Be quick this exhibition finishes on the 9 September.
So much expertise in one room, but I particularly liked the work of Sumi Perera
Very different to the Quilt Festival, I found the exhibition inspiring and supports the direction I may want to go if I develop my experiments further. 
But I have been putting some of this experimentation into practice in preparation for the group exhibition Into the Light. These silk prints will be showing with the group IN-sight at the Museum in the Park, Stroud.
Starting 29 September the exhibition is the result of 6 printmakers going behind the scenes into the Museums store rooms. The work on show will be based on hidden collections and
there will be a diverse response in a variety of printmaking techniques.
Check the Museums website for workshops and events around the exhibition or keep an eye on my Facebook page Sue Brown@printsandenamel and Instagram sb.brown21 for up dates.


Unknown said...
This comment has been removed by a blog administrator.
MFH said...

WOW!! Amazing & beautiful work!

Found u through A Mermaid's Tale blog list.

coeur cannelle said...

magnifique !!