
Wednesday, 20 July 2011
SETTING UP WEDNESDAY
Waterperry Gardens near Oxford is now decked out ready for Art in Action.
Everywhere you turn there are the most beautiful floral displays.

Sunday, 17 July 2011
PREPARATION FOR ART IN ACTION
In preparation for next week I have been making some drawings to make into collagraph plates while I am at Art in Action, demonstrating how I go about making collagraphs from drawing to print.
I had thought I would use some drawings I had made from a visit to Slimbridge in the New Year, these eider ducks being one.
But so inspired am I by my visit to see Marley the raven, yesterday, that I have had to spend the day drawing.
It has been more like trying to make a portrait than produce an image of a bird, Marley is such a personality. I now have more than enough to get on with at Art in Action



CAW!!
I have several sayings that I trot out for my classes, one being that 'ink is infectious', the other is that 'I don't get out enough' when I get excited about a luscious ink mark while printmaking!
Well my lovely friend Lesley (Printed Material) took me out for an airing yesterday to meet the very generous, Martin and Lorrie who supply the Tower of London with ravens.
Meet Marley. This is a real privilege to get this close to the king of the corvids.
And although he gave the impression he was friendly letting Lorrie scratch his head and feed him grapes,
he was just waiting to lull an easily impressed human stranger close to that beak. He tolerated my presence, letting me get close enough to take these pictures, but his intelligence gives him the capacity to trick and tease. I now have the most fantastic resource materials for some new work.




Monday, 11 July 2011
AT THE TOP!

Tuesday, 5 July 2011
MIXED MEDIA EXPERIMENTS
Thursday, 30 June 2011
PAGE PREPARATION
Back in the shed today preparing 2 sheets of A2 paper to work into tomorrow and Monday.
The first page I have decided to keep simple so I started off by scribbling with candle wax.
Covering the page with water soluble black ink.
Then applying gum arabic prints of moths, beetles and cow parsley in black and silver.
The second page became more adventurous...wax first then some gestural marks in Mars orange and orange acrylic ink.
Then a layer of water soluble and indian black ink, finishing off with the same gum arabic transfers.
Now I have 2 pages ready to bleach, scrape and draw into which will in turn inspire some enamel pieces.






It has been a liberating experience working on a larger scale, usually my sketch books are A5 and smaller. Bigger marks, bigger photocopies.
My next sketch book techniques and gum arabic transfer course is here in Cheltenham in October.
Tuesday, 28 June 2011
SKETCH BOOK
There must be something in the air, perhaps it is the closeness of the summer holidays, the ever changing air temperature or just inevitable cyclical change, but I am having the same conversation with friends about how difficult it is to get down to work at the moment.
So this morning with determination and after 2 cups of coffee I strode out to the shed to work in my sketch book. A few weeks previously when I have been feeling even less motivated I worked on empty pages putting in random acrylic and magazine transfers, the technique my daughter taught me.

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